Being There: Current
Adventures
by Charles Coleman
I have framed and hung some photographs in my study. In the 1930s my father was part of a team geologically mapping what was then Northern Rhodesia. In his picture he stands in the bush beside his team of 15 Africans. With their prospecting equipment they gaze at me from a distant time and place. Another picture I rather enjoy looking at finds me on a different continent, but also at the ends of the earth. I am in the actual
space of my childhood daydreams. I stand beside the Madre de Dios river in the
Amazonian rain forest, my face twisted in a Christmas-morning-age-six grin. My father often described his African adventures to me as I sat wide-eyed, paying rapt attention. Such was the impact of his stories that I have found myself enjoying my own adventures, and can easily slip back into the
photographic moment above my desk.
There is the possibility of seeing a wild jaguar. Electric
blue morpho butterflies flit by; I hear the liquid song of a bird I have not
yet identified, and within me builds a feeling that somewhere nearby are the
footprints of Darwin or Wallace.
As I move, my long pants stick damply to my legs and drag
at my skin. I have buttoned my sweat-soaked long-sleeved shirt tightly at the
throat and wrists, I hope denying insect access. Impatiently I push my sliding
glasses back up my nose while grimacing at the internal turmoil that is last
night’s dinner and probably some inadvertent river water. Several insistent
mosquitoes hover and whine and I slap at them ineffectually. It is early in the
morning; birds that will soon go into hiding are still calling and moving from
branch to branch. I don’t have a headache, but behind my eyes I feel fuzzy, as
if inflated with cotton wool. I think it may have to do with the anti-malarial
pills I have been taking.
As I write about this scene at my desk in Colorado, the
details of discomfort hesitantly return, and I have to search for them. What I
felt then, and recapture with this writing, is a sense of excited anticipation.
I am back in the Peruvian rain forest, about two and a half thousand miles up
the Amazon at a point where it is a mere 40 yards wide. At its mouth, the river
is more than 8 miles wide and pours such a volume of water into the Atlantic
that for 100 miles out to sea the ocean is fresh rather than salty. The
largest tankers can navigate 2,000 miles up the river to where the
city of Iquitos is cut off, accessible only by plane from the rest of the
world. The river is still two miles wide at this point, but no roads reach the
population of 600,000 which has been isolated there since the collapse of the
rubber industry in 1910. These people live close together with no real source
of livelihood, but quick access to cholera, yellow fever, dengue and malaria. I
flew in and got onto the river as fast as possible. From Iquitos to the coast,
the Amazon is a superhighway filled with traffic and commerce, and its muddy
cafe au lait water moves sluggishly.
Standing beside a tributary, the Madre de Dios, where the
water moves quickly and is the colour of strong clear tea, I look up along the
bank of the river. I can see a stretch of sand and a large black caiman basking
in the sun, while just below me, a turtle is partially submerged and resting
his front legs against a rock. Five of his friends are leaning against him in a
conga line that resembles soup bowls stacked to dry. To add to the impact of
this tableau, a large yellow butterfly sits on the head of each turtle. Who
organized this composition? I fumble for my camera and lose my balance for a
moment, sliding a little in the mud. With gentle plops, and one by one, all six
turtles submerge and the butterflies circle over the water for a moment before
they too scatter. On either side of the river the trees of the jungle canopy
meet overhead to form a dark green tunnel illuminated by bright shafts of
sunlight reaching down from where the sun pierces the foliage. “Damn,” I
mutter, and then jerk my head up to a disturbance above. I am just in time to
catch a glimpse of long furry black arms, legs, and tails in motion as two
spider monkeys disappear into the treetops of the opposite bank. Hanging nests
of the oropendula are set in motion and swing from the long wispy strings that
broaden to end in the cantaloupe sized, bulbous nests. These birds are large
relatives of the northern oriole and weave similar suspended nest hammocks for
their eggs.
I leave the riverbank and its dappled surface, making my
way inland up a narrow muddy trail. Rotting vegetation covers much of the
forest floor and there is an earthy, pungent stink of decomposition. I try to
step on the carpet of leaves whenever possible because my boots slip and sink
into the mud of the trail. My plan is to take macro pictures of some
leaf-cutter ants I have seen on an earlier hike. I have imagined close-ups that
will fill the frame with the ants carrying pieces of leaf on their backs,
looking like insect wind-surfers. But they are further away than I remembered,
and by the time I find them, my rumbling bowels have reached a dangerous
crescendo. Sweat streams down my face as I lie on my stomach, baseball hat
reversed like a teenager so that I can see through my camera viewfinder.
Through the fogging eyepiece, I try to focus on the ants while at the same time
paying close attention to my insistent and rebellious G.I. tract. Mosquitoes
form a cloud around my head while a further bit of sensory input informs me
that possible bullet ants are entering the ankle-pant-sock perimeter. They are
called bullet ants because when they bite it feels as if a bullet has hit you.
I am not sure of the caliber, perhaps .357 magnum? I do know that they are
advertised as the most venomous insect known. Some call them 24-hour ants since
the intense burning of their combination sting-bite lasts for twenty-four
hours. Apparently they bite, and then add extra pain and insult to the injury,
by transferring some venom from their tail area into the wound.
I try to focus the camera, but I cannot make my mind
explain the details for selecting the camera’s macro feature. I call for
information but receive only a sort of abstract humming noise and static from
my brain. Is there a button to push while you twist the focus ring? Is that
tickling sensation on my left ankle the bullet ant selecting a spot to bite? Is
there going to be a sudden surprise in my pants? (I am sorry to be focusing on
this detail, but it is part and parcel of the jungle experience.)
The insect repellant I applied has been effective in
deterring 98 percent of the biting things, but this hasn’t stopped me having 67
carefully enumerated sand fly bites on one single, easily accessed forearm.
Such are the numbers of the sand flies. Each night I lie awake in a frenzy of
scratching, my whole body humming extravagantly with the bursting of mast cells
and the subsequent flood of histamine through my system. Lying motionless for
ten minutes can make the desire to scratch subside, but a chance caress on the
shin by a stray strand of mosquito netting can set me on fire again. Eventually
sleep returns, only to be followed by another agitated awakening. These flies
can carry leishmaniasis, a very nasty disease. It is transferred by the sand
fly, and one bite in about 10,000 carries the parasite which causes a sore that
eventually spreads via the lymphatic system. It finishes by eroding the nose,
lips and face. If it doesn’t kill you, it is sometimes cured by a month-long
series of intravenous antimony drips. Happily it is rare where I am. Still, I
have met a man who has had it and who showed me the extraordinary scars on his
leg and arm where the remnants of what were volcano-sized ulcerations remain.
Many of the guides and other old hands have played host to
the bot fly. These flies lay their eggs on mosquitoes. The eggs hatch on the
mosquito and the larvae climb off and onto you while the mosquito bites. The
larvae burrow under your skin and feed, reaching the size of a jellybean or
larger. Sometime later they emerge through the skin and wriggle off to pupate
elsewhere. I have spent time with a magnifying glass examining the bites I can
get at, looking for the telltale snorkel that sticks out of the seeming
mosquito bite, supplying air for the developing larval fly. "Just paint it
with nail polish, wait eight hours and squeeze it out," says a guide.
"Nothing to it." It is important that the larva is dead before you
apply the squeeze because it must relinquish its hold on the bottom of the
little nest cavity it inhabits under your skin. If you attempt to squeeze out a
live one, the bottom end stays in and can cause a bad infection. Hence, the
suffocating nail polish application. Of course those who spend a lot of time in
the jungle use no insect repellent whatever. They consider the harmful effects
of the DEET in Deep Woods Off to outweigh the possible chance of an insect
transmitted disease. I wonder what these unspecifed harmful effects might be
when I lather up.
Finally I take a few pictures of my leafcutter ants, but
they are hurried and probably unfocused. My body, its interior and surface, are
foremost on my mind. But these distractions: humidity, heat, internal
discomfort, mosquitoes and their malaria, sandflies and their leishmaniasis,
the bot flies and other assorted parasites, do detract a little from one’s
comfort level. This type of trip is not for everyone. Even the enthusiast has
moments of doubt, and then I wonder what I am doing here, and why it is my
fourth trip into this jungle.
But there are experiences and sights that make it worthwhile
for me. On my third trip, I saw a jaguar’s fresh footprints. It was midnight,
and I was on my way to see a nocturnal tapir when my headlamp picked out these
exciting paw marks on the trail in front of me. The jaguar had crossed my path
very recently, and the edges of the indentations were sharp and flecked with
adhering mud fragments. There was still more excitement that night. I continued
along the jungle trail for two hours, eventually reaching a spot beside a
stream where the tapirs were said to come to eat mud. This mud, like
Kaopectate, helps with the digestion of some toxic fruit or vegetable they
insist on eating. I lay on my stomach engulfed in a suspended mosquito net,
waiting in the pitch dark. With the foliage overhead blocking out any moonlight,
it was as dark as the inside of a tapir. "How will we know they are
here?" I whispered to the guide, who lay in his net next to me.
"Shhh," he replied. Then I heard it, the squelching sucking noise of
big feet being lifted in and out of heavy sticky mud. On with the torch and
there he or she was, standing 20 feet away, blinking in the beam, caught eating
the mud that dripped from the long flexible snout of this rhinoceros relative.
Was it possible that the tapir looked a little embarrassed? It continued to
snort and squelch about in the mud for a while, then turned to leave, revealing
a chubby round behind and a silly small tail that twirled.
I have seen tapirs in the zoo where beside enclosures of
lions and tigers and elephants they seemed like pretty small potatoes; kind of
like tall dazed over-sized pigs with strange noses. "Ho hum, let's go to
the polar bears." There in the jungle on my stomach in full sweat, that
rather poor view by flashlight was electrifying. I can't explain exactly why.
It’s a little like the difference between flying over Greenland, as I once did,
and noting to yourself, before returning to the in-flight magazine crossword,
that they have huge Alp-like mountains down there. Compare this with actually
climbing one of those Greenland crags after crossing the barren glacier ice by
dogsled. There is a difference.
Another South American memento: a white baseball-sized sea
urchin’s spiky “test” or skeletal remains, sits on my desk. This came home with
me from the Galapagos Islands where I have now spent six summers in the cradle of
evolution, swimming off the shores of San Cristobal, studying the creatures
made famous by Charles Darwin. When I pick up the urchin, I easily return to
the sharp black lava rock that borders the path to the sea. I move carefully by
the spiny cactus, note the lizards that dart out of my way, and hear the scream
of the gulls. I look up at the frigate birds that circle overhead, and then
down at the aquamarine waters of the bay.
Sharks are always initially alarming I find, and there had
been one just at the periphery of my vision for some time; whenever I looked up
I would catch a glimpse of one of those peculiar opaque, wide-set eyes staring
blankly, perhaps at me. At first I had thought there were several sharks, but then
I decided that it was most likely just the one, circling. I have been assured
that shark attacks don’t happen in Galapagos waters, and that the white-tip is
docile. All the same, I found this seven foot presence disconcerting and
distracting. I tried to put him out of my mind as I hung suspended in the water
over my selected little table mountain. About 20 feet below me was my area of
study, a flat-topped rock about the size of two ping-pong tables pushed
together. It was elevated fifteen feet from the sea floor, its surface covered
by a mat of green algae, chewed and nibbled in spots by at least three
different persistent herbivores. The pencil urchins were the size of oranges,
reddish brown and covered with the blunt pencil-like spines that give them their
name. They were in charge of the northwest half of the algae field. The green
urchins were a similar size, but fitted with short sharp spines. I knew their
north Atlantic relative well, the urchin that delights in the longest
scientific name of all: Stongylocentrotus drobrachiensis.
These two urchins were new to me, as were all the bizarre flora and fauna of
the Galapagos. A third herbivore, the damsel fish, darted from its lair in a
slight overhang to see off any other fish who might drop in for a snack. I
wondered who dictated the rules about who got to eat what and when, and I spent
two hours in the water every day for a month taking notes on a clip board
trying to find out.
My girlfriend often helped me, sort of. She would corkscrew
around my body, starting at my toes and arriving at my head, where she would
blow a stream of bubbles into my face. One day she arrived at full speed and
made a grab at my clipboard. I clutched it, lost count of my urchins, and
watched my pencil float upward to the end of its string tether. She twisted
back and came at me again, this time stopping abruptly a few inches from my
mask, from where she stared into my eyes for a moment before swimming off.
Female sea lions weigh about 130 pounds, and in those waters, they are playful,
affectionate and mischievous. This one joined me most days for at least part of
my observation time. She had an actual boy friend who was rather alarming,
being essentially 600 pounds of aggressive testosterone. He would investigate me
as well, but confined his attentions to powering by me at full speed,
disappearing quickly from sight. I never got used to his appearances. His bulk
pushed the water aside so that I rocked in his wake. There followed a fraught moment
when I felt “Oh god, it’s the shark!” and it would take a while for me to
settle down and get back to work after one of his appearances.
Sometimes, when I would climb out of the water and relax
for a while in the late afternoon sun before stripping off my wetsuit, the
female would hop up beside me and sit there, nuzzling my shoulder with her
extraordinary whiskers, gazing at me with her huge, expressive and luminous
eyes, while breathing her fishy breath in my face. I will admit to being in
love.
I met another large and playful animal in the Peruvian
jungle. I paddled up to giant otters and watched them gambol like their
diminutive Scottish counterparts of Ring of Bright Water fame. But with this
behavior the resemblance ended; they are enormous, over six feet long and
sometimes more than a hundred pounds. I was able to approach to within twenty
yards of where they would stick their heads out of the water to make
threatening grunting chirps. In every way but size, they are like
standard-issue playful otters. Their long sleek bodies seemed to glide
effortlessly through the water. Several times I saw one surface with a large
fish, climb onto a broad log and chomp it down with much audible crunching and
lip smacking. They are at the top of the food chain with no enemies apart from
man. Even jaguars turn tail when the otter approaches. Unfortunately their fur
coats have proved irresistible; there are few left. They are found in the oxbow
lakes that over time have split from the Manu River. It was a thrill to see
them huffing and puffing after a long dive, whiskers twitching and noses
straining to pick up my scent. When they tried to get a better look at me, they
would rise straight up out of the water, revealing white-stripped necks.
Reeds covered the margins of these lakes that extend into swamps,
so the birds living there differ from those found on the faster moving river. I
watched a secretive limpkin picking his way through the reeds. My favorites
were the prehistoric looking hoatzins. These chicken sized birds look like
avian punks with their staring coats of feathers jutting in all directions and
bright red eyes. More than any other bird they resemble that fossil first bird,
Archaeopteryx. They intrigued me because they are the only birds, that like
cows, employ bacteria in their gut to digest their cellulose diet. I had to get
close to them to discover for myself that they do indeed smell like cows.
My trips to South America have rewarded me in different
ways. I have crouched for hours on a floating blind in the middle of a river
watching the cliffs where the macaws come to eat clay. Their reasons for doing
this are similar to the tapirs’. I was rewarded by flights of mealy parrots,
white-eyed parrots, blue-headed parrots, but the macaws were wary and stayed in
the distant treetops. Once I visited something called “Parrot Village” near
Miami. Macaws were everywhere. One even pedaled right up to me on a very small
tricycle, dismounted and pecked at my toe. In the wild, I sat for four hours in
silence in cramped quarters with a full bladder, waiting for them to fly down
to a position forty yards away where they would eat some clay. Why do I enjoy
the discomfort of the jungle, the proximity of the white-tip shark? Why have I
returned four times? My behavior might not make immediate sense, but as with
many explanations in life, you had to be there. And that is what I have been
doing in my travels - being there. It has made all the difference.
I return from the photograph and am back in Colorado at
8,000 feet where the temperature is warm but the atmosphere dry. I have a
terrible nose-running, raw-throated, head-pounding summer cold. In between nose
blowing and Tylenol, I wonder if these might be the early symptoms of
leishmaniasis or some other plague I have brought home as a South American souvenir.
Last night I had a fever of 103, but this morning I feel better. My nose is
running like a tap, but I am thinking clearly. Red bites that no longer itch
still dot my body. The metaphorical itching to go exploring has also been
thoroughly scratched for the time being, but like its insect induced
counterpart, I expect this itch will return and I will be off again.
In the picture of my father, the African veldt of 75 years
ago stretches out to the horizon behind the posed crew. The subjects are in
focus, but the background is blurred slightly by a heat haze. I can see thorn
trees and a bird I can’t identify sits in one of them. It is a view of the
living world that was Africa of the 1930s and the inspiration for my obsession.
My father has taken a moment from his rocks to stare into the camera, unaware
of the passion he will kindle in his as yet unborn son.
5 comments:
I enjoy all of these entries - they're nicely specific and quite fascinating,
By Jove. 'The New Yorker' used to represent a higher culture but now we must add Chuck Coleman to the same brainy bracket. With pleasure from Kenya, pal. Cheers.
Anonymous? Must have missed a trick .'Twas I who found your words and thoughts interesting from North Harley to Vultures to old-fangled Canadian Independent schools. Natch.
I can't believe two actual people have actually read this blog item! albeit anonymously in one case. Is the other one really my old pal Stufart? I don't see any email ID so I can't write you as yet. Get in touch, we won't last much longer.
Why anonymous? Who is this person I would like to thank for his or her kind words?
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